Ф	Item contains or is made of ivory
	This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.
*	Import low rate
	VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.
TP	Off site storage location
	For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information. For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.
Y	CITES
	Subject to CITES regulations when exporting items outside of the UK, see clause 13.

Important Design

Auction highlights

Lot gallery

97 — An 18th century Estonian parcel-gilt silver tankard Sven Herling, Reval / Tallinn circa 1746

98 — A William III silver chamberstick Pierre Platel, London 1701

99 — A Queen Anne silver tankard Joseph Stokes, London 1702

100 — An Italian silver spice tower maker's mark 'A?P', Venice late 17th / early 18th century, with later French import marks

101 — A late 16th / early 17th century silver-gilt and hardstone cup maker's mark a star radiant, stamped twice, probably Flemish or Dutch

102 — A rare Arts and Crafts silver centrepiece / tazza attributed to Henry Wilson, with indistinct mark, circa 1904

103 — BENNEY: the unique contemporary silver and enamelled candelabra suite 'The Three Graces' Simon Benney, London 2007

104 — Circle of Jean Limousin (French, 1505-1575): Two Limoges enamel calendar plates probably symbolising May and July from the twelve months of the year probably second half 16th century

105 — Possibly attributable to the successor of Pierre Reymond (1513-1584): A Limoges enamel plate depicting Moses and the Israelites collecting the Mana probably late 16th / early 17th century

106 — Possibly attributable to the successor of Pierre Reymond (1513-1584): A Limoges enamel plate depicting Moses making the water flow from the rock probably late 16th / early 17th century

107 — A 16th century Limoges enamel plaque depicting The Wedding Feast at Cana

108 — Attributed to the workshop of Jean III Penicaud (French, died 1570): A Limoges enamel circular plaque depicting Christ walking on waterpossibly a devotional pendant or originally inset into the lid of a Ciborium, probably late 16th century

109 — A late 16th / early 17th century Limoges enamel plate depicting a huntsman and a hound

110 — Pierre Courteys (French, 1520-1602): A Limoges en-grisaille enamelled bowl depicting the Laocoon and his children

111 — A 19th century Limoges enamel charger decorated with a scene of Artemis and Apollo killing the children of Niobe, probably Samson in the manner of an original by the workshop of Pierre Reymond, the design after Philippe Galle

112TP — An Antwerp mythological tapestry depicting Narcissus at the fountainlate 17th/early 18th century 245cm x 225cm

113TP — A charming Flemish Tapestry depicting The Story of Narcissus and Tiresius, Book III of Ovid's The Metamorphoses. circa 1730 331cm x 218cm

114TP — A late 19th century French gilt bronze and champleve enamel mounted onyx oval centrepiece bowl or jardiniere in the manner of Ferdinand Barbedienne et Cie

115Y — A late 19th century gilt brass mounted ivory and marquetry inlaid circular wall plaque by Maison Giroux, the inlaid decoration by Ferdinand Duvinagecirca 1875

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Most Valuable Contemporary Design Silver Ever Offered at Auction at Important Design Sale

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97 —
An 18th century Estonian parcel-gilt silver tankard
Sven Herling, Reval / Tallinn circa 1746

98 —
A William III silver chamberstick
Pierre Platel, London 1701

99 —
A Queen Anne silver tankard
Joseph Stokes, London 1702

100 —
An Italian silver spice tower
maker's mark 'A?P', Venice late 17th / early 18th century, with later French import marks

101 —
A late 16th / early 17th century silver-gilt and hardstone cup
maker's mark a star radiant, stamped twice, probably Flemish or Dutch

102 —
A rare Arts and Crafts silver centrepiece / tazza
attributed to Henry Wilson, with indistinct mark, circa 1904

103 —
BENNEY: the unique contemporary silver and enamelled candelabra suite 'The Three Graces'
Simon Benney, London 2007

104 —
Circle of Jean Limousin (French, 1505-1575): Two Limoges enamel calendar plates probably symbolising May and July from the twelve months of the year
probably second half 16th century

105 —
Possibly attributable to the successor of Pierre Reymond (1513-1584): A Limoges enamel plate depicting Moses and the Israelites collecting the Mana
probably late 16th / early 17th century

106 —
Possibly attributable to the successor of Pierre Reymond (1513-1584): A Limoges enamel plate depicting Moses making the water flow from the rock
probably late 16th / early 17th century

107 —
A 16th century Limoges enamel plaque depicting The Wedding Feast at Cana

108 —
Attributed to the workshop of Jean III Penicaud (French, died 1570): A Limoges enamel circular plaque depicting Christ walking on water
possibly a devotional pendant or originally inset into the lid of a Ciborium, probably late 16th century

109 —
A late 16th / early 17th century Limoges enamel plate depicting a huntsman and a hound

110 —
Pierre Courteys (French, 1520-1602): A Limoges en-grisaille enamelled bowl depicting the Laocoon and his children

111 —
A 19th century Limoges enamel charger decorated with a scene of Artemis and Apollo killing the children of Niobe, probably Samson in the manner of an original by the workshop of Pierre Reymond, the design after Philippe Galle

112^TP —
An Antwerp mythological tapestry depicting Narcissus at the fountain
late 17th/early 18th century 245cm x 225cm

113^TP —
A charming Flemish Tapestry depicting The Story of Narcissus and Tiresius, Book III of Ovid's The Metamorphoses.
circa 1730 331cm x 218cm

114^TP —
A late 19th century French gilt bronze and champleve enamel mounted onyx oval centrepiece bowl or jardiniere
in the manner of Ferdinand Barbedienne et Cie

115^Y —
A late 19th century gilt brass mounted ivory and marquetry inlaid circular wall plaque by Maison Giroux, the inlaid decoration by Ferdinand Duvinage
circa 1875