Skip to main content
Frank Morley Fletcher (British, 1866-1949) Brotherswater Woodcut in colours, circa 1900, on laid paper, signed, titled and numbered 55/100 in pencil, with margins, framedBlock 355 x 178mm (14 x 7in)Sheet 409 x 226mm (16 1/8 x 8 7/8in) image 1
Frank Morley Fletcher (British, 1866-1949) Brotherswater Woodcut in colours, circa 1900, on laid paper, signed, titled and numbered 55/100 in pencil, with margins, framedBlock 355 x 178mm (14 x 7in)Sheet 409 x 226mm (16 1/8 x 8 7/8in) image 2
Lot 16

Frank Morley Fletcher
(British, 1866-1949)
Brotherswater

27 June – 9 July 2025, 13:00 BST
Online, London, Knightsbridge

Sold for £768 inc. premium

Own a similar item?

Submit your item online for a free auction estimate.

How to sell

Looking for a similar item?

Our Prints & Multiples specialists can help you find a similar item at an auction or via a private sale.

Find your local specialist

Ask about this lot

Frank Morley Fletcher (British, 1866-1949)

Brotherswater
Woodcut in colours, circa 1900, on laid paper, signed, titled and numbered 55/100 in pencil, with margins, framed

Block 355 x 178mm (14 x 7in)
Sheet 409 x 226mm (16 1/8 x 8 7/8in)

Footnotes

Frank Fletcher's fascination for Japanese printmaking is clearly exemplified by the "pillar" format he chose for this print, called Hashira-e in the Nipponese tradition. He became familiar with this newly discovered art during his study years in Paris in the last quarter of the 19th Century - a period when Europe was taken by storm by Japonisme.

He experimented with woodcut throughout his career, popularising it in the UK and the US through the publication of Wood block printing: A description of the craft of Woodcutting and Colourprinting in 1916.

The present work is a depiction of a small lake in Lancashire, formerly "Broad Water", just north of where Fletcher grew up, that was allegedly renamed after two brothers lost their lives drowning in it in the 1800s.

The bird view and the flat application of colour are typical derivations from the Japanese practice, however the rendition of the sky and the overlaying masses of clouds not outlined by black lines are the fruit of his innovative take on the technique.

Additional information

Bid now on these items

Dame Tracey Emin(British, born 1963)National Portrait Gallery Portfolio

PABLO PICASSO(1881-1973)Corrida sur fond noir