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GRAND BASSIN RITUEL ARCHAÏQUE EN BRONZE, PAN Dynastie des Zhou Orientaux, Période des Printemps et Automnes (771-476 av. J.-C.) (2) image 1
GRAND BASSIN RITUEL ARCHAÏQUE EN BRONZE, PAN Dynastie des Zhou Orientaux, Période des Printemps et Automnes (771-476 av. J.-C.) (2) image 2
GRAND BASSIN RITUEL ARCHAÏQUE EN BRONZE, PAN Dynastie des Zhou Orientaux, Période des Printemps et Automnes (771-476 av. J.-C.) (2) image 3
GRAND BASSIN RITUEL ARCHAÏQUE EN BRONZE, PAN Dynastie des Zhou Orientaux, Période des Printemps et Automnes (771-476 av. J.-C.) (2) image 4
GRAND BASSIN RITUEL ARCHAÏQUE EN BRONZE, PAN Dynastie des Zhou Orientaux, Période des Printemps et Automnes (771-476 av. J.-C.) (2) image 5
PROPERTY FROM A GERMANY FAMILY COLLECTION
德國家族藏品
Lot 55

GRAND BASSIN RITUEL ARCHAÏQUE EN BRONZE, PAN
Dynastie des Zhou Orientaux, Période des Printemps et Automnes (771-476 av. J.-C.)

10 December 2024, 10:30 CET
Paris, Avenue Hoche

Sold for €19,200 inc. premium

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GRAND BASSIN RITUEL ARCHAÏQUE EN BRONZE, PAN

Dynastie des Zhou Orientaux, Période des Printemps et Automnes (771-476 av. J.-C.)

AN ARCHAIC BRONZE RITUAL BASIN, PAN
Eastern Zhou Dynasty, Spring and Autumn period (771–476 BC)
With a broad shallow basin with a gently curved profile raised on a tall splayed pedestal foot, set with a pair of arched bridge handles, decorated around the foot and the sides with a cloud band design, the interior with a possibly later added twenty-eight character inscription.
44 cm (17 3/8 in) diam. (2).

Footnotes

PROPERTY FROM A GERMAN FAMILY COLLECTION
德國家族珍藏

東周 春秋時期 青銅雙耳盤

Provenance:
Collected in China between 1894 and 1922, then handed down in the family by descent.

來源
於1894年至1922年間得自中國,後經家族流傳至今

Pan were shallow basins used as ritual vessels to hold water. They were used in conjunction with a pouring vessel, he or yi, to form a set of vessels for the washing of hands. They would have been included in the ritual vessel sets used to perform the food and wine offerings to the ancestors. In fact, the same inscription appears on two bronze ding of the same period now in the collection of the Palace Museum, Beijing, illustrated in Wang Wenchang, Qing tong qi bianwei san bai li, Beijing, 2009, vol.1, pp.156-159, no.124. According to the author, the inscription on the second vessel is later added while the inscription on the first vessel is contemporary with the date the vessel was made.

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