
Ghislaine Howard
Sale Coordinator
Sold for €127,400 inc. premium
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Provenance:
Mrs. Charles E. Dunlap Collection, sold Sotheby Parke Bernet, New York, 3-6 December 1975, lot 292;
The Christner Collection, Dallas, Texas, sold Christie's New York, 8 June 1979, lot 121
Exhibited:
Dallas Convention Centre, Loan Collection, 17-20 March 1977, no. 14
The figure is first mentioned in Kaendler's work records in December 1736: 'Noch eine Figur aufs Waaren Lager gefertiget, in einer adrienne, wie sie einen Fächer in Händen hält, und eine Manns Person im Schlaf Pelze sauber geputzet kommet, ihr ins Ohr zu reden' [Another figure finished for the warehouse, in an adrienne holding a fan in her hands, and a cleanly made man in a sleeping costume approaches to speak in her ear]; there is an additional mention in March 1737 of six porcelain figures 'mit der adrijane' and twelve 'mit dem Schlaf Pelze' being cleaned up.
Based on the engraving by Pierre Filloeul, Le baiser rendu, published in 1736, after the painting of 1733 by Jean-Baptiste Pater.
A similarly decorated example is in the Pauls Collection (I. Menzhausen, In Porzellan verzaubert (1993), pp.96-97 and cover illustration). The author notes (p. 34) the fashionable adrienne - or long coat - worn over the dress and the "bewitching beauty" of the figure: "this porcelain figure is like a portrait of one of the beautiful women of the Dresden court'.
Others are in the Residenzmuseum, Munich (published by R. Rückert, Meissener Porzellan 1710-1810 (1966), no. 856; in the Metropolitan Museum, New York, The Jack and Belle Linsky Collection, acc. no. 1982.60.311; the Musée du Louvre, Paris, inv. no. OA 6496; and in the Kocher Collection, Historisches Museum, Bern; and in the Alan Shimmerman Collection (V. Sigalas/M. Chilton (eds.), All Walks of Life (2022), no. 118).