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Among the extant examples of the characteristic Timurid technique of carved and glazed terracotta, this panel is unusual because of its many levels of relief. The delicate high-relief carving gives a deeply pierced impression to the tile, reminiscent of a veil of lace. The central trefoil palmette is recessed from its surrounding white frame and background; on the other hand the flowers and lotus palmettes throughout the cobalt blue outer section protrude in high relief above the entire surface.
The highly attractive technique of carved and glazed terracotta predates the Timurid conquest of Samarkand in 1366 AD, one of the earliest examples being a fragment in the Victoria and Albert Museum in London dated AH 722/ AD 1322. Unlike other techniques in the wide range employed by the Timurid tile-makers, such as cut-tile mosaic and cuerda seca, carved and glazed terracotta seems only to have been used in the 14th Century.
A very similar rectangular tile can be seen in the Shah-e Zende necropolis in Samarkand (Jean Soustiel and Yves Porter, Tombs of Paradise: The Shah-e Zende in Samarkand and architectural ceramics of Central Asia, Saint-Remy-en-l'Eau: Éditions Monelle Hayot, 2003, p. 86).