BOL LOBÉ MOGHOL EN JADE VERT TRÈS PALE

Inde, XVIIIe siècle

Footnotes

Provenance:
Robert Rousset, Paris (1901-1981)
Jean-Pierre Rousset, Paris (1936-2021)

Mughal jade vessels are renowned for their exceptionally thinly carved walls and naturalistic motifs. Such finely carved pieces from Mughal India were introduced to the Imperial Court during the Qianlong reign as tribute ware. It appears that the first documented piece arrived in 1758, and further pieces were presented to the Imperial Court from 1760 onwards, once Xinjiang was secured under the Qing administrative control.

The Qianlong emperor greatly admired the fine quality of the Mughal jade workmanship, and wrote poems praising the Mughal pieces in his collection, describing them as 'thin as paper'. The thinness of the walls and simplicity of the carving in the Mughal style are particularly well suited to reveal the beauty of the jade stone itself. Indeed the apparent thinness is often as much the effect of the delicate translucency of the stone as it is a reflection of the carver's masterful skill.

A large number of Mughal and Mughal-style jade pieces in the Imperial collections are now in the National Palace Museum, Taipei, of which many were illustrated in Exquisite Beauty: Islamic Jades, Taipei, 2007. See for example the open dish form, and small handles shaped like gently dropping fruit, on nos.48 (incised with a Qianlong mark) and 56; see also the similar treatment of the fruit handles and soft greyish-green stone of no.57. Another similar example in the Palace Museum, Beijing, is illustrated in the Compendium of Collections in the Palace Museum: Jade 10: Qing Dynasty, Beijing, 2011, no.217.

See a related Mughal jade lobed bowl, India, circa 1700, which was sold at Christie's New York, 19 June 2019, lot 361.

印度 十八世紀 青白玉雕痕都斯坦式雙耳盌

來源：
巴黎Robert Rousset（1901-1981）舊藏
巴黎Jean-Pierre Rousset（1936-2021）舊藏