Skip to main content
Lot 31W

ORLANDO HAND BEARS (1812-1851)
Portrait of Ephraim Niles Byram
1838
oil on canvas
82 1/4in x 41 1/4in (208.9 x 104.8cm)

6 – 7 October 2020, 11:00 EDT
New York

Sold for US$31,325 inc. premium

Own a similar item?

Submit your item online for a free auction estimate.

How to sell

Looking for a similar item?

Our Modern Decorative Art & Design specialists can help you find a similar item at an auction or via a private sale.

Find your local specialist

Ask about this lot

ORLANDO HAND BEARS (1812-1851)

Portrait of Ephraim Niles Byram
1838
oil on canvas
82 1/4in x 41 1/4in (208.9 x 104.8cm)

Footnotes

Provenance
'Andy Warhol', Sotheby's, New York, April 23, 1988
Acquired from the above by the present owner


Orlando Bears was a native artist of Sag Harbor and Long Island who was possibly taught by local artist and distant relative, Hubbard Fordham (1794-1872). Bear's subjects were mainly affluent families and relatives that were capitalizing on the wealth and prosperity of the local whaling industry that was rapidly growing along the coastlines of Connecticut and Long Island during the first half of the nineteenth century. It is quite possible that Orlando Bears and Ephraim Byram (1809-1881) were acquaintances or friends sharing similar ages and being prominent figures of the local community. Bryam, who commissioned two portraits from Bears, was a self-taught scientist and clockmaker who ran the Sherry and Byram clockworks of Sag Harbor, making clocks for important municipal buildings such as New York's City Hall as well as Sag Harbor's Whaler Church. It seemed that both young gentlemen were entwined in the local industry; Byram would have been aged around 29 years old and Bears 26 years at the time of this portrait. Byram's interest in making scientific instruments furthered into navigational and nautical instruments to aid the local ships. In 1836 he was awarded a Gold Medal by the American Institute for his work on an orrery; an articulated scaled model of the solar system in. The subject of celestial study is very much the theme in the present lot, which featured prominently on the back cover of the publication 'Sag Harbor Historical Society: History of Sag Harbor'.

The following fascinating contemporary account of the unique genius of Ephraim Niles Byram was written for the 'Journal of the American Institute' in October 1836:

'Mr. B. is a self-taught young man, of twenty-six years of age. The movement of this instrument is effected by clock-work, by means of which, the various planets, with their satellites, are made to revolve in their appropriate spheres around the sun, at the same time performing their diurnal revolutions. An illuminated glass globe, about twelve inches in diameter, represents the sun, by which the various changes of the seasons, eclipses, are accurately shown. Its superiority over other orreries of former construction is, that its movements are effected without the confusion of machinery, the planets being suspended by small wires, and the machinery placed above the line of vision. The mind of the observer is occupied by nothing but the silently moving bodies performing their revolutions, apparently suspended in open space, with great synodic precision. The workmanship is neatly executed, and the whole would confer honour upon those whose advantages have been far superior to those of the inventory and constructor of this beautiful instrument.'

Additional information

Bid now on these items

MASSIMILIANO ADAMI (B. 1969) "FOSSILLI MODERNI" STORAGE CABINET 2005, polyurethane foam, found plastic objects, painted particle board, signed "ADAMI MASSIMILIANO" with a star in marker, ht. 83 1/2, wd. 37 1/2, dp. 15 3/4 in.

JEAN DERVAL (1925-2010) BOWL WITH GAZELLE HEADS France, c. 1960, glazed stoneware, artist's signature, ht. 7, lg. handle-to-handle 17 in.

GALLE ART NOUVEAU TWO-TIERED TABLE France, c. 1900, walnut, marquetry, signed in marquetry "Galle," ht. 30 1/2. wd. 31 1/2, dp. 20 in.

PAIR OF PHILIP AND KEVIN LAVERNE DIPTYCH SIDE TABLES New York, New York, c. 1960, acid-etched, enameled, and patinated brass, pewter, wood, both with acid-etched marks "P. K. Laverne," ht. 18, wd. 29, dp. 19 in.

JACQUES BLIN (1920-1995) PITCHER France, c. 1955, glazed stoneware, sgraffito decorated with human and animal figures, incised artist's signature, ht. 14 1/2 in.

JACQUES BLIN (1920-1995) ZOOMORPHIC EWER France, c. 1960, glazed ceramic, incised mark "J Blin," ht. 13 1/4 in.

JEAN DERVAL (1925-2010) ZOOMORPHIC EWER France, L'Atelier du Portail, c. 1960, glazed earthenware, applied molded mark of the Atelier, ht. 16 1/2 in.

JEAN DERVAL (1925-2010) BIRD-FORM EWER France, L'Atelier du Portail, c. 1955, glazed earthenware, painted mark "J D" and gate and floral logo, ht. 14 1/2, wd. 10, dp. 6 in.

JACQUES BLIN (1920-1995) PITCHER France, c. 1960, glazed ceramic, incised mark "J Blin," ht. 11 1/4 in.

JEAN DERVAL (1925-2010) VASE France, c. 1955, glazed earthenware, painted mark "Jean Derval," ht. 10 1/4 in.

HARRY BERTOIA (1915-1978) UNTITLED (SMALL WHEAT) United States, 1968, steel, paper labels for the Gould Collection and Sid Deutsch Gallery, New York, ht. 24 1/4, base 8 x 8 in.