
Jim Peake
Head of Department
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The distinctive technique used to paint the seaweed in the background of these shell compositions, in which the filaments are painted with brushstrokes ending in thicker daubs of colour, has been attributed to John Barker. Compare to the seaweed in the background of the shell-painted panel on a large vase attributed to John Barker in the Ewers-Tyne Collection of Worcester Porcelain at Cheekwood illustrated and discussed by John Sandon (2008), pp.119-21, no.74. In his memoirs, Solomon Cole told William Chaffers that John Barker excelled in painting shells.