
Thomas Moore
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A related pair of George III carved mahogany sideboard pedestals and urns with applied carving to the pedestals and similar urns are illustrated in F. Lewis Hinckley, Hepplewhite, Sheraton and Regency Furniture, London 1990, p.229. An urn of closely related form with similar lotus-leaf banding and swagged husks and medallions forms part of a cast-iron stove for the Saloon at Castle Coole, Co. Fermanagh by Carron Iron Co., Falkirk, Scotland (the house designed by James Wyatt), see H. Montgomery Massingbird and C. Simon Sykes, Great Houses of Ireland, London, 1999, p.11. Other Stove urns of this type include one in the collection at Temple Newsam, see C. Gilbert, Furniture at Temple Newsam and Lotherton Hall, Bradford, 1978, Vol III., p.629, Fig.773 and another formerly at Compton Place, Sussex and now in the collection of the V&A (M.3-1920).
Similar shaped painted urns and pedestals with applied decoration to the pedestals were designed by Robert Adam and supplied to the re-modelled dining room at Saltram circa 1780 and are illustrated in R. Edwards, The Dictionary of English Furniture, Vol. III, 1954, London, p.139, fig.5. Designs for related urns with carved pedestals were published by George Hepplewhite in his 'The Cabinet Maker and Upholsterers Guide, third edition, 1794, pl.35&36.
Sideboard pedestals and urns became fashionable in the 1760s. The pedestals themselves provide extra storage and often contained a plate warmer or cellaret drawer. The urns were normally lined to hold either iced water or water for rinsing cutlery in the dining room. Sheraton wrote in his Cabinet-Makers' and Upholsterers' Encyclopeodia (1805) that 'Pedestals with vases at each end of the sideboard, one was used as a plate warmer, while the other sometimes contained a cellaret for wine while the vases 'are used for water for the use of the butler, and sometimes made of copper japanned, but generally of mahogany'.