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Ended

Fine Decorative Arts, 1200-1900

18 December 2020 | starting at 14:00 GMT

Auction highlights

Lot gallery

105 lots available

An 18th century German gold and amethystine quartz pug dog box Dresden circa 1750, with later Swedish 18 carat gold marks

An 18th century striated agate and gold-mounted box with later French eagle's head gold mark

A 19th century gold and enamel box unmarked, possibly Italian

An early 19th century French gold box C Petschler, with unofficial post-revolutionary Paris marks for 18 carat gold 1798 - 1838, and Paris 3rd standard marks 1819 - 1838

A French parcel-gilt silver box the panel possibly by Jacques Frédéric Kirstien, the box with Paris mark for 1818 - 1838

A 19th century gold and enamel box with Hanau town mark and '14', also engraved 'No. 728'

An early 19th Century Swiss gold musical snuff box Henri Neisser, Geneva 1809 - 1814

A mid-18th century German hardstone, gold-mounted and 'burgauté' box possibly from the workshop of Heinrich Taddel, Dresden circa 1750

An early 19th century German gold and enamel Royal presentation box Hanau, circa 1805, stamped '18K', the flange incuse stamped '1153'

An Austro-Hungarian silver-gilt and rock crystal cup and cover Hermann Ratzersdorfer, post-1867 Vienna mark

An Austro-Hungarian silver and rock crystal cup and cover seemingly unmarked, late 19th century

A set of four French silver-gilt and cut-glass dishes Jean-Charles Cahier, Paris 1819 - 1838 (4)

A 16th century Limoges enamel plaque depicting The Wedding Feast at Cana

Pierre Courteys (French, 1520-1602): A Limoges en-grisaille enamelled bowl depicting the Laocoon and his children

A 19th century Limoges enamel charger decorated with a scene of Artemis and Apollo killing the children of Niobe, probably Samson in the manner of an original by the workshop of Pierre Reymond, the design after Philippe Galle

Circle of Jean Limousin (French, 1505-1575): Two Limoges enamel calendar plates probably symbolising May and July from the twelve months of the year probably second half 16th century

After Francesco Fanelli (Italian, 1590–1653): A pair of patinated bronze horsesone horse early 17th century, the other probably English later 17th century

A matched pair of 17th century loaded bronze andiron figures of Mars and Junoprobably Flemish and in the manner of Tiziano Aspetti (Italian, 1557/9-1606)

Workshop of Severo Calzetta da Ravenna (active 1496 -1543): A Paduan patinated bronze figural inkstand probably early 16th century

A Paduan patinated bronze writing casketprobably late 15th/early 16th century

A Tabriz carpet of Ardabil designNorth West Persia 716cm x 440cm

A very large Mahal carpetNorth West Persia 638cm x 533cm

A Charles II oyster veneered olivewood, rosewood, ebony, stained bone and marquetry cabinet on a later stand the cabinet circa 1685, the frieze of the stand possibly 18th century but the legs later

A rare late 18th century relief-carved lime wood panel depicting a vase of flowers, signed and dated Putman 1790possibly an allegory relating to the Declaration of the Rights of Man

A good pair of late 17th century Italian carved and polychrome wood figures of courtly gentlemen

A Flemish 17th century historical tapestry possibly Van Maelsack Atelier Bruxelles depicting the impressive figure of Alexander the Great astride his horse Bucephalus, a battle scene in the middle distance, the elaborate border on brown ground with intricate floral wreaths supported by four putti, signature visible to left hand side, 342cm x 318cm

An impressive Flemish, 18th century armorial tapestryde Vos Workshop, Brussels, manufactured by d'Aubusson Royal Tapisserie, France 319cm x 243cm

A pair of George III mahogany urns and pedestals

An 18th century Swedish silver tankard Friedrich Heinrich Klinck, Stockholm 1732

An 18th century German silver-gilt Kiddush cup Franz Christoph Mederle, Augsburg 1761 - 1763

A large 17th century Dutch silver beaker Pieter Groen, Delft 1667

A late 17th century silver-gilt tankard maker's mark only: 'AH' with mullet above and below stamped four times

A Charles II silver tankard maker's mark 'TC' conjoined, probably Thomas Cory (see Mitchell page 513), London 1684

A William and Mary silver two-handled cup and cover maker's mark 'IA' conjoined, probably John Austin (see Mitchell page 342), London 1691

A pair of George III giltwood demi-lune pier tables of small proportions

A George III mahogany writing table after a design by Thomas Chippendale

A pair of Regency 'Egyptian revival' mahogany and ebonised line-inlaid wine coolers

A George Philip & Son Limited 18 inch merchant shippers' globe, English, Late 19th century,

A pair of James Addison 18-inch terrestrial and celestial library globes English, circa 1825, (2)

A pair of Regency rosewood, calamander banded, parcel gilt and simulated rosewood card tablesin the manner of Henry Holland, after the model by Marsh and Tatham

A pair of Italian carved Sienna marble urns and covers probably 18th century

An early 19th century Italian Grand Tour carved white marble bust of Antinous after the antique

A good George III Siena and white marble chimneypiece

A Regency rosewood and brass mounted breakfront bookcase

An important pair of Louis XVI gilt and patinated bronze and rouge griotte marble figural three light candelabra circa 1785, the gilt bronze mounts attributed to Francois Réymond (French, c. 1745-1812), the figures of Cupid ('L'Amour Menacant') and a nymph ('La Nymphe') after the models by Etienne-Maurice Falconet (French, 1716-1791)

A fine and rare Flemish tapestry, LIONESS IN THE RIVER, 1611-1614signed Jan I Raes (the Elder) 1574 -1651 on the right selvedge

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