



Nashar (Indonesian, 1928-1994) Getaran Alam (Vibrancy of Nature)
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Nashar (Indonesian, 1928-1994)
Oil on canvas, framed
Signed with artist's monogram and dated 10.4.1985 at lower right
Painted in 1985
65 x 81 cm (25½ x 31¾ in).
Footnotes
納沙 自然的律動 油彩畫布 木框 一九八五年作
簽名:藝術家符號 10.4.1985
Nashar's place of significance in 20th century Indonesian art history is cemented by his theory of intuitive painting. He was born in Pariman, West Sumatra in 1928. Nature serves as the point of departure for his works, but he sought to depict non-representational forms that are self-referential and pure onto themselves, even as these forms may allude to external reality. Being released from the necessity of representation, Nashar strived towards an experiential approach to painting.
納沙在20世紀印尼藝術史的重要性在於他的創作理論,1928年出生於西蘇門答臘島的帕里亞曼,大自然元素是他的創作核心,每位藝術家發展出充滿自我形式的獨特創作語彙,並於世界產生對話。相較於同期的戰後抽象藝術家,他跳脫出西方自文藝復興開始的畫風,探索實驗性的創作手法,並追求一種純粹的平面美感。