Ahmad Sadali (Indonesian, 1924-1987)

Komposisi Bidang dan Noktah Emas (Composition of Forms and Remnants in Gold)

Footnotes

Provenance:
Private Collection, Indonesia

阿曼德 · 薩達利　金色形式與遺跡之構圖　綜合媒材紙本　鏡框　一九七五年作

簽名：Sadali 75

來源：
印尼私人收藏

In the post-war and post-colonial environs of Bandung in the 1960s, Ahmad Sadali is an exceptional pioneer artist in his generation who found a non-partisan and universal visual language in the realm of abstraction where shape, form, colour and line exist in themselves with minimal reference to the external world.

Completed in 1975, the present lot is a realisation of Sadali's view of modernity that took form in the composition and use of gold colour to create viewing sensations. The geometric form of the squares and its repetition shows Sadali's instinctive and emotional connection with the exploration of space and cosmos. The act of his creation is a form of meditation in search for deeper meaning about life and the relationship between nature and human being.

1960年代，印尼萬隆戰後的後殖民時期，阿曼德 · 薩達利是這一代傑出的藝術家先驅，他在抽象領域發掘了嶄新且無國界的視覺語言，其形狀、形式、顏色和線條來自藝術家的內心世界，而非來自與外界的連結。

《金色形式與遺跡之構圖》於1975年完成，金色的經典用色、構圖體現了薩達利創作中的現代性，並帶給觀者截然不同的體驗。幾何方塊的形式及重複性展現薩達利對於空間和宇宙探索之情感連結。他的創作行為是一種冥想形式，旨在尋找關於自然與人類之間的關係，以及生命的深層意義。