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Fine Chinese Paintings

1 October 2018 | starting at 16:00 HKT
Live Auction
Hong Kong, Six Pacific Place
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Auction highlights

Fu Baoshi (1904-1965) Appreciating the Chrysanthemum Under the Pine TreesFu Baoshi (1904-1965) Appreciating the Chrysanthemum Under the Pine Trees. Sold for HK$9,460,000 inc. premium
Fu Baoshi (1904-1965) Spring Mountain of SichuanFu Baoshi (1904-1965) Spring Mountain of Sichuan. Sold for HK$3,700,000 inc. premium
Zhang Daqian (Chang Dai-chien, 1899-1983) Album of Landscapes, Flowers, Self-Portrait and Calligraphy (14)Zhang Daqian (Chang Dai-chien, 1899-1983) Album of Landscapes, Flowers, Self-Portrait and Calligraphy (14). Sold for HK$3,200,000 inc. premium
Zhang Daqian (Chang Dai-chien, 1899-1983) LandscapeZhang Daqian (Chang Dai-chien, 1899-1983) Landscape. Sold for HK$3,220,000 inc. premium
Fu Baoshi (1904-1965) Mount ShaoFu Baoshi (1904-1965) Mount Shao. Sold for HK$2,740,000 inc. premium
Zhang Daqian (Chang Dai-chien, 1899-1983) Boating At SunsetZhang Daqian (Chang Dai-chien, 1899-1983) Boating At Sunset. Sold for HK$2,375,000 inc. premium
Wu Guanzhong (1919-2010) Corner of Suzhou GardenWu Guanzhong (1919-2010) Corner of Suzhou Garden. Sold for HK$1,375,000 inc. premium
Attributed to Emperor Lizong (1225-1264) Poem in Regular ScriptAttributed to Emperor Lizong (1225-1264) Poem in Regular Script. Sold for HK$1,375,000 inc. premium
Pu Ru (1896-1963) PeonyPu Ru (1896-1963) Peony. Sold for HK$400,000 inc. premium
Huang Zhou (1925-1997) A Girl with Four DonkeysHuang Zhou (1925-1997) A Girl with Four Donkeys. Sold for HK$375,000 inc. premium

Lot gallery

136 lots available

Zhao Shao'ang (1905-1998) Henglu Studio
PREVIOUSLY IN THE COLLECTION OF HENGLU STUDIO 「衡廬」舊藏中國書畫 LOTS 801-810   「衡廬」主人陳德廣（1922-1993）醫生，廣東新會人，生於香港。一九四八年畢業於嶺南大學醫科，旋赴加拿大深造，五二年返港執業。陳氏仁心仁術，痌瘝在抱，六二年與杏林同仁承辦了非牟利的私家醫院——港中分科醫院，任執行董事，卅載屹屹不休，港中醫院全盛時齊名養和。 上世紀八十年代，陳氏得識趙少昂，甚是投契，遂入夢萱堂問學繪事。他學畫雖晚，但頗具天份，經其師點撥，未幾已頗可觀。本輯「衡盧」舊藏，乃由後人珍藏至今。除齊白石〈群蝦圖〉（拍品編號806）及楊善深〈晨曲〉（拍品編號810）兩幅外，餘皆為趙少昂寫贈，署年集中於一九八六至九一年間。彼時畫家已屆耄耋，下筆仍勁健爽利，毫無疲態，尤其〈芭蕉花放鳥聲喧〉（拍品編號809）一幅，枝葉老辣痛快，芭蕉花開如盆，美豔襲人，不愧為畫家晚年精品。

801 —
Zhao Shao'ang (1905-1998)
Henglu Studio

Sold for HK$43,750 inc. premium
Zhao Shao'ang (1905-1998) Swallow
PREVIOUSLY IN THE COLLECTION OF HENGLU STUDIO 「衡廬」舊藏中國書畫 LOTS 801-810   「衡廬」主人陳德廣（1922-1993）醫生，廣東新會人，生於香港。一九四八年畢業於嶺南大學醫科，旋赴加拿大深造，五二年返港執業。陳氏仁心仁術，痌瘝在抱，六二年與杏林同仁承辦了非牟利的私家醫院——港中分科醫院，任執行董事，卅載屹屹不休，港中醫院全盛時齊名養和。 上世紀八十年代，陳氏得識趙少昂，甚是投契，遂入夢萱堂問學繪事。他學畫雖晚，但頗具天份，經其師點撥，未幾已頗可觀。本輯「衡盧」舊藏，乃由後人珍藏至今。除齊白石〈群蝦圖〉（拍品編號806）及楊善深〈晨曲〉（拍品編號810）兩幅外，餘皆為趙少昂寫贈，署年集中於一九八六至九一年間。彼時畫家已屆耄耋，下筆仍勁健爽利，毫無疲態，尤其〈芭蕉花放鳥聲喧〉（拍品編號809）一幅，枝葉老辣痛快，芭蕉花開如盆，美豔襲人，不愧為畫家晚年精品。

802 —
Zhao Shao'ang (1905-1998)
Swallow

Sold for HK$31,250 inc. premium
Zhao Shao'ang (1905-1998) Bird on Willow Tree
PREVIOUSLY IN THE COLLECTION OF HENGLU STUDIO 「衡廬」舊藏中國書畫 LOTS 801-810   「衡廬」主人陳德廣（1922-1993）醫生，廣東新會人，生於香港。一九四八年畢業於嶺南大學醫科，旋赴加拿大深造，五二年返港執業。陳氏仁心仁術，痌瘝在抱，六二年與杏林同仁承辦了非牟利的私家醫院——港中分科醫院，任執行董事，卅載屹屹不休，港中醫院全盛時齊名養和。 上世紀八十年代，陳氏得識趙少昂，甚是投契，遂入夢萱堂問學繪事。他學畫雖晚，但頗具天份，經其師點撥，未幾已頗可觀。本輯「衡盧」舊藏，乃由後人珍藏至今。除齊白石〈群蝦圖〉（拍品編號806）及楊善深〈晨曲〉（拍品編號810）兩幅外，餘皆為趙少昂寫贈，署年集中於一九八六至九一年間。彼時畫家已屆耄耋，下筆仍勁健爽利，毫無疲態，尤其〈芭蕉花放鳥聲喧〉（拍品編號809）一幅，枝葉老辣痛快，芭蕉花開如盆，美豔襲人，不愧為畫家晚年精品。

803 —
Zhao Shao'ang (1905-1998)
Bird on Willow Tree

HK$20,000 - HK$40,000
Zhao Shao'ang (1905-1998) Cicadas
PREVIOUSLY IN THE COLLECTION OF HENGLU STUDIO 「衡廬」舊藏中國書畫 LOTS 801-810   「衡廬」主人陳德廣（1922-1993）醫生，廣東新會人，生於香港。一九四八年畢業於嶺南大學醫科，旋赴加拿大深造，五二年返港執業。陳氏仁心仁術，痌瘝在抱，六二年與杏林同仁承辦了非牟利的私家醫院——港中分科醫院，任執行董事，卅載屹屹不休，港中醫院全盛時齊名養和。 上世紀八十年代，陳氏得識趙少昂，甚是投契，遂入夢萱堂問學繪事。他學畫雖晚，但頗具天份，經其師點撥，未幾已頗可觀。本輯「衡盧」舊藏，乃由後人珍藏至今。除齊白石〈群蝦圖〉（拍品編號806）及楊善深〈晨曲〉（拍品編號810）兩幅外，餘皆為趙少昂寫贈，署年集中於一九八六至九一年間。彼時畫家已屆耄耋，下筆仍勁健爽利，毫無疲態，尤其〈芭蕉花放鳥聲喧〉（拍品編號809）一幅，枝葉老辣痛快，芭蕉花開如盆，美豔襲人，不愧為畫家晚年精品。

804 —
Zhao Shao'ang (1905-1998)
Cicadas

Sold for HK$106,250 inc. premium
Zhao Shao'ang (1905-1998) Bird and Calligraphy
PREVIOUSLY IN THE COLLECTION OF HENGLU STUDIO 「衡廬」舊藏中國書畫 LOTS 801-810   「衡廬」主人陳德廣（1922-1993）醫生，廣東新會人，生於香港。一九四八年畢業於嶺南大學醫科，旋赴加拿大深造，五二年返港執業。陳氏仁心仁術，痌瘝在抱，六二年與杏林同仁承辦了非牟利的私家醫院——港中分科醫院，任執行董事，卅載屹屹不休，港中醫院全盛時齊名養和。 上世紀八十年代，陳氏得識趙少昂，甚是投契，遂入夢萱堂問學繪事。他學畫雖晚，但頗具天份，經其師點撥，未幾已頗可觀。本輯「衡盧」舊藏，乃由後人珍藏至今。除齊白石〈群蝦圖〉（拍品編號806）及楊善深〈晨曲〉（拍品編號810）兩幅外，餘皆為趙少昂寫贈，署年集中於一九八六至九一年間。彼時畫家已屆耄耋，下筆仍勁健爽利，毫無疲態，尤其〈芭蕉花放鳥聲喧〉（拍品編號809）一幅，枝葉老辣痛快，芭蕉花開如盆，美豔襲人，不愧為畫家晚年精品。

805 —
Zhao Shao'ang (1905-1998)
Bird and Calligraphy

Sold for HK$50,000 inc. premium
Qi Baishi (1864-1957) and Zhao Shao'ang (1905-1998) Shrimps and Calligraphy
PREVIOUSLY IN THE COLLECTION OF HENGLU STUDIO 「衡廬」舊藏中國書畫 LOTS 801-810   「衡廬」主人陳德廣（1922-1993）醫生，廣東新會人，生於香港。一九四八年畢業於嶺南大學醫科，旋赴加拿大深造，五二年返港執業。陳氏仁心仁術，痌瘝在抱，六二年與杏林同仁承辦了非牟利的私家醫院——港中分科醫院，任執行董事，卅載屹屹不休，港中醫院全盛時齊名養和。 上世紀八十年代，陳氏得識趙少昂，甚是投契，遂入夢萱堂問學繪事。他學畫雖晚，但頗具天份，經其師點撥，未幾已頗可觀。本輯「衡盧」舊藏，乃由後人珍藏至今。除齊白石〈群蝦圖〉（拍品編號806）及楊善深〈晨曲〉（拍品編號810）兩幅外，餘皆為趙少昂寫贈，署年集中於一九八六至九一年間。彼時畫家已屆耄耋，下筆仍勁健爽利，毫無疲態，尤其〈芭蕉花放鳥聲喧〉（拍品編號809）一幅，枝葉老辣痛快，芭蕉花開如盆，美豔襲人，不愧為畫家晚年精品。

806 —
Qi Baishi (1864-1957) and Zhao Shao'ang (1905-1998)
Shrimps and Calligraphy

Sold for HK$275,000 inc. premium
Zhao Shao'ang (1905-1998) Calligraphy Couplet in Running Script
PREVIOUSLY IN THE COLLECTION OF HENGLU STUDIO 「衡廬」舊藏中國書畫 LOTS 801-810   「衡廬」主人陳德廣（1922-1993）醫生，廣東新會人，生於香港。一九四八年畢業於嶺南大學醫科，旋赴加拿大深造，五二年返港執業。陳氏仁心仁術，痌瘝在抱，六二年與杏林同仁承辦了非牟利的私家醫院——港中分科醫院，任執行董事，卅載屹屹不休，港中醫院全盛時齊名養和。 上世紀八十年代，陳氏得識趙少昂，甚是投契，遂入夢萱堂問學繪事。他學畫雖晚，但頗具天份，經其師點撥，未幾已頗可觀。本輯「衡盧」舊藏，乃由後人珍藏至今。除齊白石〈群蝦圖〉（拍品編號806）及楊善深〈晨曲〉（拍品編號810）兩幅外，餘皆為趙少昂寫贈，署年集中於一九八六至九一年間。彼時畫家已屆耄耋，下筆仍勁健爽利，毫無疲態，尤其〈芭蕉花放鳥聲喧〉（拍品編號809）一幅，枝葉老辣痛快，芭蕉花開如盆，美豔襲人，不愧為畫家晚年精品。

807 —
Zhao Shao'ang (1905-1998)
Calligraphy Couplet in Running Script

Sold for HK$62,500 inc. premium
Zhao Shao'ang (1905-1998) Calligraphy Couplet in Running Script
PREVIOUSLY IN THE COLLECTION OF HENGLU STUDIO 「衡廬」舊藏中國書畫 LOTS 801-810   「衡廬」主人陳德廣（1922-1993）醫生，廣東新會人，生於香港。一九四八年畢業於嶺南大學醫科，旋赴加拿大深造，五二年返港執業。陳氏仁心仁術，痌瘝在抱，六二年與杏林同仁承辦了非牟利的私家醫院——港中分科醫院，任執行董事，卅載屹屹不休，港中醫院全盛時齊名養和。 上世紀八十年代，陳氏得識趙少昂，甚是投契，遂入夢萱堂問學繪事。他學畫雖晚，但頗具天份，經其師點撥，未幾已頗可觀。本輯「衡盧」舊藏，乃由後人珍藏至今。除齊白石〈群蝦圖〉（拍品編號806）及楊善深〈晨曲〉（拍品編號810）兩幅外，餘皆為趙少昂寫贈，署年集中於一九八六至九一年間。彼時畫家已屆耄耋，下筆仍勁健爽利，毫無疲態，尤其〈芭蕉花放鳥聲喧〉（拍品編號809）一幅，枝葉老辣痛快，芭蕉花開如盆，美豔襲人，不愧為畫家晚年精品。

808 —
Zhao Shao'ang (1905-1998)
Calligraphy Couplet in Running Script

Sold for HK$62,500 inc. premium
Zhao Shao'ang (1905-1998) Plantain Tree
PREVIOUSLY IN THE COLLECTION OF HENGLU STUDIO 「衡廬」舊藏中國書畫 LOTS 801-810   「衡廬」主人陳德廣（1922-1993）醫生，廣東新會人，生於香港。一九四八年畢業於嶺南大學醫科，旋赴加拿大深造，五二年返港執業。陳氏仁心仁術，痌瘝在抱，六二年與杏林同仁承辦了非牟利的私家醫院——港中分科醫院，任執行董事，卅載屹屹不休，港中醫院全盛時齊名養和。 上世紀八十年代，陳氏得識趙少昂，甚是投契，遂入夢萱堂問學繪事。他學畫雖晚，但頗具天份，經其師點撥，未幾已頗可觀。本輯「衡盧」舊藏，乃由後人珍藏至今。除齊白石〈群蝦圖〉（拍品編號806）及楊善深〈晨曲〉（拍品編號810）兩幅外，餘皆為趙少昂寫贈，署年集中於一九八六至九一年間。彼時畫家已屆耄耋，下筆仍勁健爽利，毫無疲態，尤其〈芭蕉花放鳥聲喧〉（拍品編號809）一幅，枝葉老辣痛快，芭蕉花開如盆，美豔襲人，不愧為畫家晚年精品。

809 —
Zhao Shao'ang (1905-1998)
Plantain Tree

Sold for HK$250,000 inc. premium
Yang Shanshen (1913-2004) Sparrows
PREVIOUSLY IN THE COLLECTION OF HENGLU STUDIO 「衡廬」舊藏中國書畫 LOTS 801-810   「衡廬」主人陳德廣（1922-1993）醫生，廣東新會人，生於香港。一九四八年畢業於嶺南大學醫科，旋赴加拿大深造，五二年返港執業。陳氏仁心仁術，痌瘝在抱，六二年與杏林同仁承辦了非牟利的私家醫院——港中分科醫院，任執行董事，卅載屹屹不休，港中醫院全盛時齊名養和。 上世紀八十年代，陳氏得識趙少昂，甚是投契，遂入夢萱堂問學繪事。他學畫雖晚，但頗具天份，經其師點撥，未幾已頗可觀。本輯「衡盧」舊藏，乃由後人珍藏至今。除齊白石〈群蝦圖〉（拍品編號806）及楊善深〈晨曲〉（拍品編號810）兩幅外，餘皆為趙少昂寫贈，署年集中於一九八六至九一年間。彼時畫家已屆耄耋，下筆仍勁健爽利，毫無疲態，尤其〈芭蕉花放鳥聲喧〉（拍品編號809）一幅，枝葉老辣痛快，芭蕉花開如盆，美豔襲人，不愧為畫家晚年精品。

810 —
Yang Shanshen (1913-2004)
Sparrows

Sold for HK$68,750 inc. premium
Yang Shanshen (1913-2004) Lady; Calligraphy
Zhao Shao'ang (1905-1998) Sunflowers and Magpie
Lin Fengmian (1900-1991) Reclining Nude
Lin Fengmian (1900-1991) Opera Figures
Lin Fengmian (1900-1991) Lotus Pond
Pu Ru (1896-1963) Peony
Pu Ru (1896-1963) Blue and Green Landscape
Yu Fei'an (1889-1959) Bird and Flower
Wu Changshuo (1844-1927) Red Plum Blossoms
Wu Hufan (1894-1968) Lotus
Qi Gong (1912-2005) Five Poems in Running Script
Zhang Daqian (Chang Dai-chien, 1899-1983) Boating At Sunset
FROM THE COLLECTION OF HENRY TAO-SZE HSIA (1923-2003) 夏道師博士舊藏 LOT 822 Dr. Henry Tao-Sze Hsia (Xia Daoshi, 1923-2003) was an aerospace engineer and research scientist. Born to the prominent Republic era legal scholar and adjudicator Xia Qin (1892-1950), Dr. Hsia obtained a Bachelor of Science degree at the National Chiao Tung University in Shanghai (now the Shanghai Jiao Tong University) before emigrating to the United States in 1947, and subsequently obtained his Master's and Ph.D at Harvard and Stanford Universities, respectively. After relocating with his family to the Northern California Bay Area in 1957, Dr. Hsia worked as an engineer and consultant for such companies as Lockheed and General Electric. In addition to his many scientific achievements documented in publications and patents, Dr. Hsia held a deep appreciation for Chinese art and culture, and promoted Chinese culture by establishing a local Chinese Cultural Association and Chinese language school, as well as teaching Chinese history at the local community college. He led, and was an active member of, the Bay Area Chinese Society of Performing Arts. During his lifetime, Dr. Hsia and his wife Zhong Qi befriended and hosted many prominent Chinese scholars and artists, most notably Zhang Daqian, Hu Shi, Yu Youren, and Hou Beiren. In the early 1970s, Dr. Hsia and Zhang Daqian established a close acquaintance, the two sharing a love of traditional Peking opera. It was during the Hsia family's visits to Zhang Daqian's Monterey residence Huanbi'an when Dr. Hsia was gifted paintings by Zhang. Dr. Hsia treasured his collection of paintings and ceramics, and delighted in showing them to friends and students alike. Selected paintings from the Henry Tao-Sze Hsia collection are being offered by members of his family. 夏道師，美籍華人航空航天工程專家，祖籍江蘇泰州，其父為民國時期名法學家及司法官員夏勤（1892-1950）。夏道師於一九四四年獲上海交通大學理學士學位。一九四七年赴美後，於一九四八年獲哈佛大學理科碩士學位，一九六六年獲斯坦福大學博士學位。夏道師於1957年攜眷移居北加州舊金山灣區後， 先後於洛克希德導彈和航天公司，加州通用電氣公司等機構，擔任研究科學家、高級工程師或顧問等要職。主要著作有《火箭推進淺説》 (1968)。 夏氏忱於祖國文化藝術，開創舊金山華人表演藝術學會，曾任帕洛阿爾托市美籍華人科學和文化協會理事，並教授中國語言、歷史課程，致力推廣中國文化及歷史。夏道師與夫人鍾頎居美期間，結識多位學者與藝術家，如張大千、胡適、于右任等。夏氏與張大千尤其交好，兩人同好中國傳統戲曲兿術，特別是京劇。大千於上世紀七十年代初移居蒙特利後，道師屢屢攜同家人造訪環蓽庵，並於同時期獲張大千相贈畫作。

822 —
Zhang Daqian (Chang Dai-chien, 1899-1983)
Boating At Sunset

Sold for HK$2,375,000 inc. premium
Zhang Daqian (Chang Dai-chien, 1899-1983) Landscape
Zhang Daqian (Chang Dai-chien, 1899-1983) Album of Landscapes, Flowers, Self-Portrait and Calligraphy
Zhang Daqian (Chang Dai-chien, 1899-1983) Lunch Menu
Pu Ru (1896-1963) Calligraphy Couplet in Running Script
Pu Ru (1896-1963) Calligraphy Couplet in Running Script
Pu Ru (1896-1963) Riding a Donkey Under the Pine
Pu Ru (1896-1963) Playing Go by the Autumn River
Pu Ru (1896-1963) Four Seasons
Pu Ru (1896-1963) and Fu Duoruo (b.1930) Flower Basket after Song Masters; Rooster, Chicks and Chrysanthemum
Pu Ru (1896-1963) and Zhang Shou (1877-1947) Landscape; Calligraphy in Regular Script
Pu Tong (1877-1952) Diamond Sutra
Pu Tong (1877-1952), Mei Lanfang (1894-1961), Han Shenxian (1897-1962), Cheng Yanqiu (1904-1958) ET AL. Flowers and Swallows
Qi Baishi (1864-1957) Longevity Peaches and Wine
Chen Zhifo (1896-1962) Peach Blossoms and Pair of Geese
Pan Dawei (1881-1929) Pine Branch and Rock
FINE 18TH TO 20TH CENTURY CHINESE PAINTINGS AND CALLIGRAPHY FROM THE COLLECTION OF TANYUAN SHANFANG 檀圓山房珍藏十八至二十世紀中國書畫 LOTS 837-886 The Tanyuan Shanfang collection of fifty paintings was formed between 1970s to 2000s. Having grown up overseas, the collector was first introduced to Chinese calligraphy in the late 1940s through a Chinese language program, where he grew fond of the art form and developed a deep interest in its long rich tradition and history. In the 1970s, his passion for Chinese calligraphy extended beyond his lectures and books when Mr. Zheng Zhenhuan of Hong Kong, a friend, educator, and connoisseur of Chinese calligraphy and paintings, introduced him to his circle of friends of Hong Kong renowned artists and collectors. Amongst them, of prominence was Mr. Dang Cangwu of Macau, a renowned dealer and connoisseur, who became instrumental in the formation of an extensive and diversified collection we see today. 檀圓山房主人生於海外，二戰後在中文學校接觸到書法，即為這一藝術形式的博大精深所折服。上世紀七十年代初結識港澳兩地書畫仝道，開始陸續購藏，與澳門知名畫商傳研樓鄧蒼梧氏交往最密，又屢於紐約之拍賣會投得心愛之作。四五十年間，孜孜不倦，漸次匯為可觀的收藏。此輯甄選其部分精品，書法自晚清名臣至新文化運動中堅，繪畫則南北兼蓄，以嶺南第三代領軍趙少昂早年精絕之作領銜，冀以呈現該藏家不拘一格、包容兼備的品味與眼光。

837 —
Pan Dawei (1881-1929)
Pine Branch and Rock

HK$20,000 - HK$40,000
Su Liupeng (1796-1862) Monk Resting Against Rock
FINE 18TH TO 20TH CENTURY CHINESE PAINTINGS AND CALLIGRAPHY FROM THE COLLECTION OF TANYUAN SHANFANG 檀圓山房珍藏十八至二十世紀中國書畫 LOTS 837-886 The Tanyuan Shanfang collection of fifty paintings was formed between 1970s to 2000s. Having grown up overseas, the collector was first introduced to Chinese calligraphy in the late 1940s through a Chinese language program, where he grew fond of the art form and developed a deep interest in its long rich tradition and history. In the 1970s, his passion for Chinese calligraphy extended beyond his lectures and books when Mr. Zheng Zhenhuan of Hong Kong, a friend, educator, and connoisseur of Chinese calligraphy and paintings, introduced him to his circle of friends of Hong Kong renowned artists and collectors. Amongst them, of prominence was Mr. Dang Cangwu of Macau, a renowned dealer and connoisseur, who became instrumental in the formation of an extensive and diversified collection we see today. 檀圓山房主人生於海外，二戰後在中文學校接觸到書法，即為這一藝術形式的博大精深所折服。上世紀七十年代初結識港澳兩地書畫仝道，開始陸續購藏，與澳門知名畫商傳研樓鄧蒼梧氏交往最密，又屢於紐約之拍賣會投得心愛之作。四五十年間，孜孜不倦，漸次匯為可觀的收藏。此輯甄選其部分精品，書法自晚清名臣至新文化運動中堅，繪畫則南北兼蓄，以嶺南第三代領軍趙少昂早年精絕之作領銜，冀以呈現該藏家不拘一格、包容兼備的品味與眼光。

838 —
Su Liupeng (1796-1862)
Monk Resting Against Rock

HK$150,000 - HK$250,000
Zhao Shao'ang (1905-1998) Cotton Tree Flower
FINE 18TH TO 20TH CENTURY CHINESE PAINTINGS AND CALLIGRAPHY FROM THE COLLECTION OF TANYUAN SHANFANG 檀圓山房珍藏十八至二十世紀中國書畫 LOTS 837-886 The Tanyuan Shanfang collection of fifty paintings was formed between 1970s to 2000s. Having grown up overseas, the collector was first introduced to Chinese calligraphy in the late 1940s through a Chinese language program, where he grew fond of the art form and developed a deep interest in its long rich tradition and history. In the 1970s, his passion for Chinese calligraphy extended beyond his lectures and books when Mr. Zheng Zhenhuan of Hong Kong, a friend, educator, and connoisseur of Chinese calligraphy and paintings, introduced him to his circle of friends of Hong Kong renowned artists and collectors. Amongst them, of prominence was Mr. Dang Cangwu of Macau, a renowned dealer and connoisseur, who became instrumental in the formation of an extensive and diversified collection we see today. 檀圓山房主人生於海外，二戰後在中文學校接觸到書法，即為這一藝術形式的博大精深所折服。上世紀七十年代初結識港澳兩地書畫仝道，開始陸續購藏，與澳門知名畫商傳研樓鄧蒼梧氏交往最密，又屢於紐約之拍賣會投得心愛之作。四五十年間，孜孜不倦，漸次匯為可觀的收藏。此輯甄選其部分精品，書法自晚清名臣至新文化運動中堅，繪畫則南北兼蓄，以嶺南第三代領軍趙少昂早年精絕之作領銜，冀以呈現該藏家不拘一格、包容兼備的品味與眼光。

839 —
Zhao Shao'ang (1905-1998)
Cotton Tree Flower

Sold for HK$87,500 inc. premium
Zhao Shao'ang (1905-1998) Parrot Perching on Cotton Tree
FINE 18TH TO 20TH CENTURY CHINESE PAINTINGS AND CALLIGRAPHY FROM THE COLLECTION OF TANYUAN SHANFANG 檀圓山房珍藏十八至二十世紀中國書畫 LOTS 837-886 The Tanyuan Shanfang collection of fifty paintings was formed between 1970s to 2000s. Having grown up overseas, the collector was first introduced to Chinese calligraphy in the late 1940s through a Chinese language program, where he grew fond of the art form and developed a deep interest in its long rich tradition and history. In the 1970s, his passion for Chinese calligraphy extended beyond his lectures and books when Mr. Zheng Zhenhuan of Hong Kong, a friend, educator, and connoisseur of Chinese calligraphy and paintings, introduced him to his circle of friends of Hong Kong renowned artists and collectors. Amongst them, of prominence was Mr. Dang Cangwu of Macau, a renowned dealer and connoisseur, who became instrumental in the formation of an extensive and diversified collection we see today. 檀圓山房主人生於海外，二戰後在中文學校接觸到書法，即為這一藝術形式的博大精深所折服。上世紀七十年代初結識港澳兩地書畫仝道，開始陸續購藏，與澳門知名畫商傳研樓鄧蒼梧氏交往最密，又屢於紐約之拍賣會投得心愛之作。四五十年間，孜孜不倦，漸次匯為可觀的收藏。此輯甄選其部分精品，書法自晚清名臣至新文化運動中堅，繪畫則南北兼蓄，以嶺南第三代領軍趙少昂早年精絕之作領銜，冀以呈現該藏家不拘一格、包容兼備的品味與眼光。

840 —
Zhao Shao'ang (1905-1998)
Parrot Perching on Cotton Tree

Sold for HK$562,500 inc. premium
Guan Liang (1900-1986) The Drunken Concubine
FINE 18TH TO 20TH CENTURY CHINESE PAINTINGS AND CALLIGRAPHY FROM THE COLLECTION OF TANYUAN SHANFANG 檀圓山房珍藏十八至二十世紀中國書畫 LOTS 837-886 The Tanyuan Shanfang collection of fifty paintings was formed between 1970s to 2000s. Having grown up overseas, the collector was first introduced to Chinese calligraphy in the late 1940s through a Chinese language program, where he grew fond of the art form and developed a deep interest in its long rich tradition and history. In the 1970s, his passion for Chinese calligraphy extended beyond his lectures and books when Mr. Zheng Zhenhuan of Hong Kong, a friend, educator, and connoisseur of Chinese calligraphy and paintings, introduced him to his circle of friends of Hong Kong renowned artists and collectors. Amongst them, of prominence was Mr. Dang Cangwu of Macau, a renowned dealer and connoisseur, who became instrumental in the formation of an extensive and diversified collection we see today. 檀圓山房主人生於海外，二戰後在中文學校接觸到書法，即為這一藝術形式的博大精深所折服。上世紀七十年代初結識港澳兩地書畫仝道，開始陸續購藏，與澳門知名畫商傳研樓鄧蒼梧氏交往最密，又屢於紐約之拍賣會投得心愛之作。四五十年間，孜孜不倦，漸次匯為可觀的收藏。此輯甄選其部分精品，書法自晚清名臣至新文化運動中堅，繪畫則南北兼蓄，以嶺南第三代領軍趙少昂早年精絕之作領銜，冀以呈現該藏家不拘一格、包容兼備的品味與眼光。

841 —
Guan Liang (1900-1986)
The Drunken Concubine

Sold for HK$250,000 inc. premium
Guan Liang (1900-1986) Monkey King
FINE 18TH TO 20TH CENTURY CHINESE PAINTINGS AND CALLIGRAPHY FROM THE COLLECTION OF TANYUAN SHANFANG 檀圓山房珍藏十八至二十世紀中國書畫 LOTS 837-886 The Tanyuan Shanfang collection of fifty paintings was formed between 1970s to 2000s. Having grown up overseas, the collector was first introduced to Chinese calligraphy in the late 1940s through a Chinese language program, where he grew fond of the art form and developed a deep interest in its long rich tradition and history. In the 1970s, his passion for Chinese calligraphy extended beyond his lectures and books when Mr. Zheng Zhenhuan of Hong Kong, a friend, educator, and connoisseur of Chinese calligraphy and paintings, introduced him to his circle of friends of Hong Kong renowned artists and collectors. Amongst them, of prominence was Mr. Dang Cangwu of Macau, a renowned dealer and connoisseur, who became instrumental in the formation of an extensive and diversified collection we see today. 檀圓山房主人生於海外，二戰後在中文學校接觸到書法，即為這一藝術形式的博大精深所折服。上世紀七十年代初結識港澳兩地書畫仝道，開始陸續購藏，與澳門知名畫商傳研樓鄧蒼梧氏交往最密，又屢於紐約之拍賣會投得心愛之作。四五十年間，孜孜不倦，漸次匯為可觀的收藏。此輯甄選其部分精品，書法自晚清名臣至新文化運動中堅，繪畫則南北兼蓄，以嶺南第三代領軍趙少昂早年精絕之作領銜，冀以呈現該藏家不拘一格、包容兼備的品味與眼光。

842 —
Guan Liang (1900-1986)
Monkey King

Sold for HK$62,500 inc. premium
Guan Shanyue (1912-2000) Bamboo and Plum Blossoms
FINE 18TH TO 20TH CENTURY CHINESE PAINTINGS AND CALLIGRAPHY FROM THE COLLECTION OF TANYUAN SHANFANG 檀圓山房珍藏十八至二十世紀中國書畫 LOTS 837-886 The Tanyuan Shanfang collection of fifty paintings was formed between 1970s to 2000s. Having grown up overseas, the collector was first introduced to Chinese calligraphy in the late 1940s through a Chinese language program, where he grew fond of the art form and developed a deep interest in its long rich tradition and history. In the 1970s, his passion for Chinese calligraphy extended beyond his lectures and books when Mr. Zheng Zhenhuan of Hong Kong, a friend, educator, and connoisseur of Chinese calligraphy and paintings, introduced him to his circle of friends of Hong Kong renowned artists and collectors. Amongst them, of prominence was Mr. Dang Cangwu of Macau, a renowned dealer and connoisseur, who became instrumental in the formation of an extensive and diversified collection we see today. 檀圓山房主人生於海外，二戰後在中文學校接觸到書法，即為這一藝術形式的博大精深所折服。上世紀七十年代初結識港澳兩地書畫仝道，開始陸續購藏，與澳門知名畫商傳研樓鄧蒼梧氏交往最密，又屢於紐約之拍賣會投得心愛之作。四五十年間，孜孜不倦，漸次匯為可觀的收藏。此輯甄選其部分精品，書法自晚清名臣至新文化運動中堅，繪畫則南北兼蓄，以嶺南第三代領軍趙少昂早年精絕之作領銜，冀以呈現該藏家不拘一格、包容兼備的品味與眼光。

843 —
Guan Shanyue (1912-2000)
Bamboo and Plum Blossoms

Sold for HK$350,000 inc. premium
Guan Shanyue (1912-2000) Training Horse
FINE 18TH TO 20TH CENTURY CHINESE PAINTINGS AND CALLIGRAPHY FROM THE COLLECTION OF TANYUAN SHANFANG 檀圓山房珍藏十八至二十世紀中國書畫 LOTS 837-886 The Tanyuan Shanfang collection of fifty paintings was formed between 1970s to 2000s. Having grown up overseas, the collector was first introduced to Chinese calligraphy in the late 1940s through a Chinese language program, where he grew fond of the art form and developed a deep interest in its long rich tradition and history. In the 1970s, his passion for Chinese calligraphy extended beyond his lectures and books when Mr. Zheng Zhenhuan of Hong Kong, a friend, educator, and connoisseur of Chinese calligraphy and paintings, introduced him to his circle of friends of Hong Kong renowned artists and collectors. Amongst them, of prominence was Mr. Dang Cangwu of Macau, a renowned dealer and connoisseur, who became instrumental in the formation of an extensive and diversified collection we see today. 檀圓山房主人生於海外，二戰後在中文學校接觸到書法，即為這一藝術形式的博大精深所折服。上世紀七十年代初結識港澳兩地書畫仝道，開始陸續購藏，與澳門知名畫商傳研樓鄧蒼梧氏交往最密，又屢於紐約之拍賣會投得心愛之作。四五十年間，孜孜不倦，漸次匯為可觀的收藏。此輯甄選其部分精品，書法自晚清名臣至新文化運動中堅，繪畫則南北兼蓄，以嶺南第三代領軍趙少昂早年精絕之作領銜，冀以呈現該藏家不拘一格、包容兼備的品味與眼光。

844 —
Guan Shanyue (1912-2000)
Training Horse

Sold for HK$187,500 inc. premium
Wang Zhen (1867-1938) Birds in the Moonlight
FINE 18TH TO 20TH CENTURY CHINESE PAINTINGS AND CALLIGRAPHY FROM THE COLLECTION OF TANYUAN SHANFANG 檀圓山房珍藏十八至二十世紀中國書畫 LOTS 837-886 The Tanyuan Shanfang collection of fifty paintings was formed between 1970s to 2000s. Having grown up overseas, the collector was first introduced to Chinese calligraphy in the late 1940s through a Chinese language program, where he grew fond of the art form and developed a deep interest in its long rich tradition and history. In the 1970s, his passion for Chinese calligraphy extended beyond his lectures and books when Mr. Zheng Zhenhuan of Hong Kong, a friend, educator, and connoisseur of Chinese calligraphy and paintings, introduced him to his circle of friends of Hong Kong renowned artists and collectors. Amongst them, of prominence was Mr. Dang Cangwu of Macau, a renowned dealer and connoisseur, who became instrumental in the formation of an extensive and diversified collection we see today. 檀圓山房主人生於海外，二戰後在中文學校接觸到書法，即為這一藝術形式的博大精深所折服。上世紀七十年代初結識港澳兩地書畫仝道，開始陸續購藏，與澳門知名畫商傳研樓鄧蒼梧氏交往最密，又屢於紐約之拍賣會投得心愛之作。四五十年間，孜孜不倦，漸次匯為可觀的收藏。此輯甄選其部分精品，書法自晚清名臣至新文化運動中堅，繪畫則南北兼蓄，以嶺南第三代領軍趙少昂早年精絕之作領銜，冀以呈現該藏家不拘一格、包容兼備的品味與眼光。

845 —
Wang Zhen (1867-1938)
Birds in the Moonlight

HK$50,000 - HK$70,000
Wang Zhen (1867-1938) Immortals
FINE 18TH TO 20TH CENTURY CHINESE PAINTINGS AND CALLIGRAPHY FROM THE COLLECTION OF TANYUAN SHANFANG 檀圓山房珍藏十八至二十世紀中國書畫 LOTS 837-886 The Tanyuan Shanfang collection of fifty paintings was formed between 1970s to 2000s. Having grown up overseas, the collector was first introduced to Chinese calligraphy in the late 1940s through a Chinese language program, where he grew fond of the art form and developed a deep interest in its long rich tradition and history. In the 1970s, his passion for Chinese calligraphy extended beyond his lectures and books when Mr. Zheng Zhenhuan of Hong Kong, a friend, educator, and connoisseur of Chinese calligraphy and paintings, introduced him to his circle of friends of Hong Kong renowned artists and collectors. Amongst them, of prominence was Mr. Dang Cangwu of Macau, a renowned dealer and connoisseur, who became instrumental in the formation of an extensive and diversified collection we see today. 檀圓山房主人生於海外，二戰後在中文學校接觸到書法，即為這一藝術形式的博大精深所折服。上世紀七十年代初結識港澳兩地書畫仝道，開始陸續購藏，與澳門知名畫商傳研樓鄧蒼梧氏交往最密，又屢於紐約之拍賣會投得心愛之作。四五十年間，孜孜不倦，漸次匯為可觀的收藏。此輯甄選其部分精品，書法自晚清名臣至新文化運動中堅，繪畫則南北兼蓄，以嶺南第三代領軍趙少昂早年精絕之作領銜，冀以呈現該藏家不拘一格、包容兼備的品味與眼光。

846 —
Wang Zhen (1867-1938)
Immortals

HK$80,000 - HK$120,000
Wu Changshuo (1844-1927) Longevity Peaches
FINE 18TH TO 20TH CENTURY CHINESE PAINTINGS AND CALLIGRAPHY FROM THE COLLECTION OF TANYUAN SHANFANG 檀圓山房珍藏十八至二十世紀中國書畫 LOTS 837-886 The Tanyuan Shanfang collection of fifty paintings was formed between 1970s to 2000s. Having grown up overseas, the collector was first introduced to Chinese calligraphy in the late 1940s through a Chinese language program, where he grew fond of the art form and developed a deep interest in its long rich tradition and history. In the 1970s, his passion for Chinese calligraphy extended beyond his lectures and books when Mr. Zheng Zhenhuan of Hong Kong, a friend, educator, and connoisseur of Chinese calligraphy and paintings, introduced him to his circle of friends of Hong Kong renowned artists and collectors. Amongst them, of prominence was Mr. Dang Cangwu of Macau, a renowned dealer and connoisseur, who became instrumental in the formation of an extensive and diversified collection we see today. 檀圓山房主人生於海外，二戰後在中文學校接觸到書法，即為這一藝術形式的博大精深所折服。上世紀七十年代初結識港澳兩地書畫仝道，開始陸續購藏，與澳門知名畫商傳研樓鄧蒼梧氏交往最密，又屢於紐約之拍賣會投得心愛之作。四五十年間，孜孜不倦，漸次匯為可觀的收藏。此輯甄選其部分精品，書法自晚清名臣至新文化運動中堅，繪畫則南北兼蓄，以嶺南第三代領軍趙少昂早年精絕之作領銜，冀以呈現該藏家不拘一格、包容兼備的品味與眼光。

847 —
Wu Changshuo (1844-1927)
Longevity Peaches

HK$400,000 - HK$500,000
Cheng Shifa (1921-2007) Picking Herbs
FINE 18TH TO 20TH CENTURY CHINESE PAINTINGS AND CALLIGRAPHY FROM THE COLLECTION OF TANYUAN SHANFANG 檀圓山房珍藏十八至二十世紀中國書畫 LOTS 837-886 The Tanyuan Shanfang collection of fifty paintings was formed between 1970s to 2000s. Having grown up overseas, the collector was first introduced to Chinese calligraphy in the late 1940s through a Chinese language program, where he grew fond of the art form and developed a deep interest in its long rich tradition and history. In the 1970s, his passion for Chinese calligraphy extended beyond his lectures and books when Mr. Zheng Zhenhuan of Hong Kong, a friend, educator, and connoisseur of Chinese calligraphy and paintings, introduced him to his circle of friends of Hong Kong renowned artists and collectors. Amongst them, of prominence was Mr. Dang Cangwu of Macau, a renowned dealer and connoisseur, who became instrumental in the formation of an extensive and diversified collection we see today. 檀圓山房主人生於海外，二戰後在中文學校接觸到書法，即為這一藝術形式的博大精深所折服。上世紀七十年代初結識港澳兩地書畫仝道，開始陸續購藏，與澳門知名畫商傳研樓鄧蒼梧氏交往最密，又屢於紐約之拍賣會投得心愛之作。四五十年間，孜孜不倦，漸次匯為可觀的收藏。此輯甄選其部分精品，書法自晚清名臣至新文化運動中堅，繪畫則南北兼蓄，以嶺南第三代領軍趙少昂早年精絕之作領銜，冀以呈現該藏家不拘一格、包容兼備的品味與眼光。

848 —
Cheng Shifa (1921-2007)
Picking Herbs

HK$400,000 - HK$600,000
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REDISCOVERED FU BAOSHI Leads Bonhams Fine Chinese Paintings In Hong Kong

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