Skip to main content
Lot 103TP

An impressive Louis XVI gilt and patinated bronze and white marble figural mantel clock by Laurent Ridel (French, active circa 1789)
the dial and backplate signed Ridel à Paris, the case possibly attributable to Pierre-Philippe Thomire (1751–1843)

Amended
21 November 2018, 13:00 GMT
London, New Bond Street

£6,000 - £8,000

Own a similar item?

Submit your item online for a free auction estimate.

How to sell

Looking for a similar item?

Our Home and Interiors specialists can help you find a similar item at an auction or via a private sale.

Find your local specialist

Ask about this lot

An impressive Louis XVI gilt and patinated bronze and white marble figural mantel clock by Laurent Ridel (French, active circa 1789)

the dial and backplate signed Ridel à Paris, the case possibly attributable to Pierre-Philippe Thomire (1751–1843)
the drum case surmounted by a winged putto playing cymbals above a cast figural panel depicting Venus and Adonis standing beside a brazier between two winged putti, the whole flanked by two seated infant satyrs blowing horns, thyrsus and tambourines at their feet, raised on a rounded end panelled plinth base centred by a twin sphinx and ribbon tied wreath mount and flanked by portrait masks of Medusa, on large engine turned bulbous toupie feet, the 6.5" floral swag enamelled Arabic dial with outer quarter hour markers and inner calendar date ring, with gilt pierced hour and star pointer minute hands and blued steel calendar date pointer, the brass twin train movement with later escapement and outside countwheel striking on a bell,



56cm high, 68cm wide, 19cm deep

Footnotes

Provenance:
Private Oxford collection

Saleroom notices

Please note that enamel dial for this clock is signed 'Coteau' below 6 o'clock for Josepah Coteau (French, 1740-1801). Footnote for this lot: A near identical Louis XVI gilt bronze and marble clock modelled after Thomire with a movement by Molliens of Paris is illustrated in Pierre Kjelberg's 'Encyclopédie de Pendule Francaise, due Moyen Age au XXe siècle, Les editions l'amateur, p. 259, fig c. and a similar clock is in the permanent collection of the Musée du Louvre.

Additional information

Bid now on these items

A pair of late 19th century French gilt bronze mounted pink griotte marble garniture urns In the Louis XVI style

A large late Victorian oak and brass dinner gongLate 19th / early 20th century, acquired by the Set Decorating Department for the third film, Downton Abbey: The Grand Finale

Dame Maggie Smith (as the Dowager Countess): a selection of character props used as set decoration for her desk

Jim Carter (as Mr Carson): a selection of character props used as set decoration in his study

Jim Carter (as Mr Carson): an oak hanging key cabinet together with a large collation of prop keysThe cabinet in the Victorian style, the keys 18th century and later

Dame Maggie Smith (as the Dowager Countess): a white metal mounted ebonised walking cane

The Downton Abbey Bell WallFirst seen in Season 1, in the Servant's Hall, made by the Art Department's model makers

A large Italian carved marble bust of PericlesAfter the Antique, probably late 18th/early 19th century

Two similar Derbyshire blue john fluorspar ovoid door stops Early 20th century

A large French mid-19th century gilt-bronze eight light chandelierIn the Louis XV style

A rare Regency treen Gothic gatehouse timepiece case

An Austrian cold-painted bronze of a French Bulldog, with another similarcirca 1900

An Austrian cold-painted bronze of a French Bulldog singed Carl Kauba, with two similarlate 19th early 20th century

After Emmanuel Frémiet (French, 1824-1910): Chiens Levriers

Jules-Bertrand Gelibert (French, 1834-1916): Druid

After Emmanuel Fremiet (1824-1910): A patinated cast iron seated bloodhound