Skip to main content
Alexander Nasmyth (British, 1758-1840) Veduta di Napoli da Posillipo; Veduta della costa Sorrentina ((2)) image 1
Alexander Nasmyth (British, 1758-1840) Veduta di Napoli da Posillipo; Veduta della costa Sorrentina ((2)) image 2
Alexander Nasmyth (British, 1758-1840) Veduta di Napoli da Posillipo; Veduta della costa Sorrentina ((2)) image 3
Lot 15

Alexander Nasmyth
(British, 1758-1840)
Veduta di Napoli da Posillipo; Veduta della costa Sorrentina

Withdrawn
Amended
2 March 2016, 14:00 GMT
London, New Bond Street

£30,000 - £50,000

Ask about this lot

Alexander Nasmyth (British, 1758-1840)

Veduta di Napoli da Posillipo; Veduta della costa Sorrentina a pair
oil on canvas, each
68.7 x 89.9cm (27 1/16 x 35 3/8in).
(2)

Footnotes

Provenance
Private collection, Italy

Literature
Massimo Ricciardi, Paesaggisti stranieri in Campania nell'Ottocento, Salerno, 2002, p.24-26 and 28, illustrated figs. 3, 4

Alexander Nasmyth was born in Edinburgh in September 1758. His father was an architect and builder and he was initially educated at home, before attending 'Mammy' Smith's school in the Grassmarket, and then the high school where he studied arithmetic and geometry in preparation for a career in the family business.

Alexander was however drawn to life as an artist, and while working with James Cummyng, a tradesman-house painter, his talent was spotted by Allan Ramsay, principal painter in ordinary to George III. Ramsay persuaded Cummyng to release his apprentice and the young Alexander journeyed south to London where he began work in Ramsay's studio.

Towards the end of 1778, he returned to Edinburgh and began his practice as a portrait painter. He gradually evolved a style of his own, placing the sitters within a landscape and gradually the backgrounds became as important as the sitters.

In common with many of his contemporaries Nasmyth left Scotland in December 1782 to continue his studies abroad. He arrived in Rome in April 1783 and began an extensive journey through Italy visiting The Bay of Naples, Bolsena, Ancona and Tivoli.

He returned to Edinburgh at the end of 1784 and continued his practice as a portrait and landscape painter. His landscapes, principally influenced by Claude Lorrain and Ruisdael, are tranquil, finely detailed and romantic. By all accounts Alexander Nasmyth was a delightful, kind and humorous man – a polymath, combining a prodigious artistic talent with a practical knowledge of engineering and architecture.

He died in April 1840 and was buried in St Cuthbert's churchyard, Edinburgh.

Saleroom notices

This lot has been withdrawn.

Additional information

Bid now on these items

Frank Babbage(British, 1858-1916)An English shire

Jacques André Duffour(French, 1926-2016)The salad dressing

Eloise Harriet Stannard(British, circa 1828-1915)Still life of oranges; Still life of grapes and peaches

Paul Maze(French, 1887-1979)The fruit basket

Bryan Senior(British, born 1935)Mushrooms

Rupert Godfrey Lee(Indian, 1887-1959)Still life with oranges, apples and onions

Thomas Sidney Cooper, RA(British, 1803-1902)Sheep before the White Cliffs

Angelo Garino(Italian, born 1860)Loisies

Frederic Cayley Robinson, ARA, RWS(British, 1862-1927)The Little Shepherdess

Alberto Pasini(Italian, 1826-1899)Turkish soldiers at an Arab camp

Mabel Gear(British, 1898-1987)New neighbours

Sir George Pirie, PRSA HRSW LLD(British, 1864-1946)A winning look

Henry Merchant(British, Exh. 1893-1940)'Left in Charge'

Eugène Verboeckhoven(Belgian, 1798-1881)"Duke" - a magnificent King Charles Spaniel

English Provincial School19th Century A Blenheim Spaniel in a landscape

James Hardy, Jnr.(British, 1832-1889)End of the day - Setters at rest

Winifred Marie Louise Austen RI RE(British, 1876-1964)Winner of The Blue Ribbon - Pampered Pugs

Richard Ansdell RA(British, 1815-1885)A Spaniel with the day's pheasants

English Provincial School19th Century Portrait of huntsman and dog in landscape

Edwin Loder of Bath(British, 1827-1885)Portrait of a White Terrier in profile