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Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 1
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 2
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 3
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 4
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 5
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 6
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 7
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 8
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 9
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 10
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 11
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 12
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 13
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 14
Circle of Carlo Maratta (Camerano 1625-1713 Rome) Five heads in profile (with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)) image 15
Lot 8*

Circle of Carlo Maratta
(Camerano 1625-1713 Rome)
Five heads in profile

Old Master Paintings
9 December 2015, 14:00 GMT
London, New Bond Street

£8,000 - £12,000

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Circle of Carlo Maratta (Camerano 1625-1713 Rome)

Five heads in profile
red chalk on laid paper, numbered 'A.30' in pen and brown ink, inscribed and dated in red chalk 'Roma ***/1684
14.6 x 26.3cm (5 3/4 x 10 3/8in).
with a group of drawings including a bacchanalian scene after Michel Dorigny; an 18th Century Italian study of drapery; a 17th Century Bolognese study of a trumpeting angel; an 18th Century Bolognese study of two heads; a late 16th Century Dutch Baptism of Christ; a 17th Century Italian Conversion of St Paul; a ceiling design attributed to Antonio Bresciani; a 16th Century Roman study of a bearded man; an 18th Century Venetian Biblical scene; a 17th Century Bolognese architectural design; a landscape by a follower of Hobbema; an 18th Century north Italian landscape study; an 18th Century Neapolitan spandrel design featuring an allegory of a woman and an 18th Century Italian drawing of the crowning of a female martyr, various sizes, all unframed (15)

Footnotes

Provenance
Private Collection, USA

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