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Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 1
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 2
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 3
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 4
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 5
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 6
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 7
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 8
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 9
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 10
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 11
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 12
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 13
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 14
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 15
Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640) Diana and Acteon (with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)) image 16
Lot 7*

Follower of Giuseppe Cesari, called il Cavalier d'Arpino
(Rome 1568-1640)
Diana and Acteon

Old Master Paintings
9 December 2015, 14:00 GMT
London, New Bond Street

£8,000 - £12,000

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Follower of Giuseppe Cesari, called il Cavalier d'Arpino (Rome 1568-1640)

Diana and Acteon
pen and brown ink and brown wash heightened with white, in an inscribed oval
15.7 x 21cm (6 3/16 x 8 1/4in).
with a group of drawings including a study of seated figures attributed to Giacinto Callandrucci; two drawings of supplicants before a king and queen by an artist in the circle of Gian Domenico Ferretti; an 18th Century Italian drawing of the head of a woman crowned with laurel leaves; two 18th Century Italian drawings of putti; a study of Jupiter after Goltzius; an 18th Century North Italian study of St Matthew; an 18th Century Italian study of Christ supported by angels; an 18th Century Italian landscape; an 18th Century Bolognese study of Andromeda; the Communion of St Jerome after Domenichino; an 18th Century North Italian drawing of Elizabetta Regina of Hungary and an 18th Century Neapolitan study of two female deities, all unframed, and an 18th Century album bound in quarter vellum, the flyleaf inscribed 'Giuseppe Vallardi' in a later hand (16)

Footnotes

Provenance
Private collection, USA

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