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Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 1
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 2
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 3
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 4
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 5
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 6
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 7
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 8
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 9
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 10
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 11
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 12
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 13
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 14
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 15
Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London) Poseidon riding on a conch with attendants (with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)) image 16
Lot 3*

Attributed to Giovanni Battista Cipriani
(Florence 1727-1785 London)
Poseidon riding on a conch with attendants

Old Master Paintings
9 December 2015, 14:00 GMT
London, New Bond Street

£8,000 - £12,000

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Attributed to Giovanni Battista Cipriani (Florence 1727-1785 London)

Poseidon riding on a conch with attendants
inscribed with the initial 'M' lower left,
grey ink and brown wash on laid card,
18.5 x 23.7cm (7 5/16 x 9 5/16in).
with a group of drawings including a study of Saint Carlo Borromeo from the circle of Camillo Procaccini; the child Hercules wrestling the snake from the circle of Franceschini; an 18th Century German drawing of the Crowning of the Virgin; an 18th Century Venetian head study; an 18th Century Italian drawing of St Martin; a study of a herm after Carracci; a study of God the Father by a follower of Maratta; an 18th Century Italian drawing of Mary Magdalen; a 16th Century German drawing of the Crucifixion; an 18th Century Italian drawing of the Deposition; a 17th Century Genoese study of two putti (recto) and God the Father (verso) and two drawings of the Adoration of the Shepherds by a follower of Girolamo da Treviso, all unframed (14)

Footnotes

Provenance
Private collection, USA.

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