
Oliver White
Head of Department
£5,000 - £7,000
Our Islamic and Indian Art specialists can help you find a similar item at an auction or via a private sale.
Find your local specialistHead of Department
The relief animals are probably inspired by an earlier and ongoing tradition of decorative cast or repoussé on metal objects. This type of glazed ware is a progression from a group of known unglazed earthen ware objects of similar form. Elaborately decorated, unglazed, moulded wares had been a standard product in the pre-Islamic provinces of both the Sassanian and Byzantine worlds. The application of a glaze added a rich colour and a glossy finish to these wares, which could be used to suggest metal or glass.
A similar example can be found in the al-Sabah Collection, Kuwait (Oliver Watson, Ceramics from Islamic Lands, London, 2004, p. 161, Cat. Bb.1). Watson mentions two similar pieces: a bottle in the Keir Collection, which has a short stubby neck (Ernst J. Grube, Islamic pottery of the Eighth to the Fifteenth Century in the Keir Collection, London, 1976, p. 27, no. 1); and a jug in the Khalili Collection of Islamic Art (Ernst J. Grube, Cobalt and Lustre, The Nasser D. Khalili Collection of Islamic Art, Vol. IX, Oxford, 1994, pp.20-21, no.1).
Watson speculates that these ceramics were part of the earliest spread of glazing technology to areas where before only unglazed wares had been made, but exactly where cannot be identified at present (Watson 1994, p. 161). For an example of an unglazed jar with applied animal decoration in the al-Sabah Collection, Kuwait, see ibid., p. 96, Cat. Aa.2.