
Mark Rasmussen
International Director
Sold for US$4,750 inc. premium
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The resplendent throne-backs and foliage here testify to the stylistic influence of Newari artists on Tibetan manuscript covers following their migration from the sacked Buddhist monasteries of India in the 13th century. Selig Brown notes that in earlier examples these elements appear as an integrated mass, seeming more segregated in later pieces dating closer to the 16th century. Additionally, she identifies the lotus buds at the ends of the throne-crossbeams as a datable component, being simpler in form in the 13th century (Selig Brown, Protecting Wisdom, Canada, 2012, pp. 27-32). For a closely related piece in an Asian collection also carved with a stupa on its side, see Xu Tianfu (ed.), Faces of Dharma, Taipei, 2012, no. 124, p. 174.