
Penny Day
Head of UK and Ireland
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Matthew Smith, as is sometimes stated, did not confine himself to still life and figure painting but worked over a wide range of different subject genres. Landscape painting in fact forms a significant part of his total oeuvre.
Smith had enjoyed a short two week holiday in Herefordshire in September 1932 when he took the opportunity to paint at least one plein air landscape before he left for the South of France arriving alone in Arles in October of the same year. Initially for three months he worked with great energy on what was to become an extended five year period of working on landscape from 1932 to 1937. Smith at that time acquired a car, which extended the range he could cover in searching for motifs in the area and more than sixty landscape paintings were produced during this period. He prefered to work in complete isolation, focussing intensely and working with the rapid 'premier coup' manner of execution that he applied to these pictures. This previously unknown painting, recently discovered in the U.S.A., is a typical example of his landsape work from this period although interesting and unique in its use of a vertical format for the canvas.
Please note that this work will be included in Dr. John Gledhill's ongoing catalogue raisonné of Matthew Smith's work and we are grateful to him for his assistance in compiling the catalogue entry.